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For defendants in these cases, the vague proviso of “fair use” is often used to bolster their argument that such musical reimagining is legal. copyright law, may signify a form of infringement that can be prosecuted in court.
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Indeed, when posted publicly without the approval of rights holders, these remixes could be considered “derivative works” and, under U.S. We are continuing to invest heavily in refining those processes and improving methods of detection and removal, and reducing the impact of this unacceptable activity on legitimate creators, rights holders and our users.” Spotify has multiple detection measures in place monitoring abuse on the service to detect, investigate and deal with such activity. Such a workaround is referenced in the terms and conditions of use outlined in the Spotify for Podcasters user agreement, which notes that service “is not intended to be a music distribution tool” and directs those who “wish to deliver music to Spotify” to its Spotify for Artists platform.įurther, a rep for Spotify tells Variety in a statement: “We take intellectual property infringement extremely seriously. There is nothing that resembles the typical characteristics of a podcast. These podcasts, like “Instagram only contain the audio of specific songs and almost always list the tracks as individual episodes.
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Late rapper Juice WRLD, who still commands a cult following, has a full ‘podcast series’ dedicated to revealing his unreleased songs, like user No Si’s podcast titled, “Instagram The podcast contains ‘episodes’ like “Sugarfish (Leaked),” a song Juice WRLD wrote with The Chainsmokers that was never officially released, despite online rumors that the collaboration would become available in December 2019. Using simple keywords and terms like “chopped and screwed,” “slowed and reverbed,” “remix,” and “mashup” in Spotify’s search bar, users can track down bootlegged reworks of songs by many top artists which live on Spotify’s podcast hub. With obscured titles like “Jocelyn Flores but you’re in the bathroom at a party” by eraylandin, a new take on XXXTentacion’s popular “Jocelyn Flores,” and “Dead To Me – Kali Uchis (slowed + bass boosted)” by user Unreal sounds, a rework of Uchis’ popular track from her 2018 album “ Isolation ,” these underground remixers have chosen to upload their creations as podcast episodes, hoping to circumvent copyright infringement detection by the platform. Spotify has joined the ranks of streaming services like SoundCloud and YouTube as a hub for bootlegs of popular songs.